(W/A/CA) Gerald Jablonski Finally, what the world has been waiting for - a big, oversized collection of Gerald Jabolonski's psychedelically underground, absurdly avant-garde comics! Jablonski has been comics' best-kept secret for decades, telling the tales of imposter ants, bear-faced grumps, and stoic farmers with pun-laden word balloons that wildly snake around the page. This book also includes a discussion with Gary Groth, the artist's first interview in print. Jablonski belongs in the ingeniously baffling auteur pantheon with John Cage, James Joyce, and Andy Warhol. Yes, you read that right.

(W/A/CA) Johnny Ryan FATCOP never passes up a possible grift, a chance to use excessive force, or a pit stop at any chain restaurant he passes. He chafes when forced to take a new partner, Pete Rick, to keep him on the up and up. Even when he lucks into a heroic deed, he manages to do so repulsively. But when FATCOP uncovers a child slave ring operating out of the local Trader Joe?s, he may have met his match on the reprehensibility scale. If he?s not careful, it might be a transformative experience that causes him to reconsider his role as a loving partner and father. Well, up to a point, anyway ? sometimes a fat cop is just a FATCOP.Johnny Ryan returns to his lowbrow humor roots following his cult classic and violent fantasy series, Prison Pit. Ping-ponging his antihero through an ever-escalating and cascading series of violent, scatological, and wildly imaginative absurdities (most but not all of FATCOP?s own making), Ryan?s brilliance as a visual and verbal gag writer shines on every page of this master class in physical humor and comics storytelling. FATCOP is as hilarious as i

(W/A/CA) Joe Ciardiello In this gorgeous graphic memoir, Joe Ciardiello weaves together his Italian family history and the mythology of the American West while paying homage to the classic Westerns of the '50s and '60s. Ciardiello's sinuous ink line and vivid watercolors illuminate the oversized characters that dominated the cinematic American West-featuring John Ford, John Wayne, Clint Eastwood, Claudia Cardinale, Sophia Loren, and many more. A paean to Hollywood, a love letter to the Western, and a tribute to its Italian influences.

(W/A/CA) Josh Simmons Josh Simmons (Black River) returns with a harrowing and genre-bending collection of more than two dozen short stories. The individual stories in Flayed Corpse stand on their own and also complement each other in ways that only heighten the anxiety and dread pouring from the pages. Flayed Corpse also collects several collaborations between Simmons and other cartoonists, including James Romberger, Anders Nilsen, Tara Booth, Eroyn Franklin, Tom Van Deusen, and Eric Reynolds, amongst others.

(W/A/CA) Frank Stack Frank Stack has been been quietly creating observational, iconoclastic art for more than forty years and is best known as the artist behind Harvey Pekar's award-winning graphic novel, My Cancer Year and as the creator of the first underground comic book, The Adventures of Jesus. Foolbert Funniescollects comics that ran in National Lampoonand other publications and features characters such as Dirty Diana, nostalgic time traveler Frank Crankcase, commonsensical Dr. Feelgood, politician Paddy Booshwah and a host of Amazons, artists, and pulp heroes, all depicted in Stack's scratchy, hatchy "crowquill" style.

(W/A/CA) Jack Davis When Jack Davis took up his pen for EC Comics, he imbued his stories with a playful sense of (gallows) humor that made his innocent victims more eye-poppingly terrified, his ax-murders more gleefully gruesome, and his revenge-seeking corpses more morbidly motivated than any other EC artist. These horror and suspense tales ? from the pages of Vault of Horror, Haunt of Fear, Crime SuspenStories, and Shock SuspenStories ? include frightful fare such as ?Hyde and Go Shriek!?, ?Tombs-Day!?, ?Witch Witch?s Witch!?, ?Head-Room!?, ?Chop Talk!?, ?Coffin Spell!?, and more, all leavened with the cackling, pun-laced wit of scripter Al Feldstein and illuminated as only the virtuoso brushwork of Jack Davis could present them.But the standout story has to be ?Foul Play,? the most infamous of all EC horror stories, in which a baseball team takes revenge on a murderous rival player by, um (spoiler alert), ?repurposing? various parts of his anatomy for one final blood-spattered, organ-scattered inning. You?ll never see a baseball game the same way again. And as gruesome as that so

THE SEQUEL TO FRANK AND THE CONGRESS OF THE ANIMALS FEATURES EVEN MORE STUNNING VISUALS For the past 20 years or so, Jim Woodring's beloved trilobular chuckbuster Frank has enjoyed one mindbending catastrophe after another in the treacherous embrace of The Unifactor, the land into which he was born and from which escape seemed neither desirable nor likely. And then, abruptly, in 2011's acclaimed Congress of the Animals (the second Woodring orginal graphic novel, following Weathercraft) Frank did leave the Unifactor for uncharted lands beyond-where, after a string of trials, he acquired a soulmate named Fran. This development raised far more questions than it answered. Would Frank become placid and domesticated? Would he be jilted? Would he turn out to be a dreadful cad? Would he become a downtrodden and exhausted paterfamilias staring vacantly into the dimming fire of life as obnoxious grandchildren pulled his peglike ears and stole his porridge? The answers to these fruitless speculations and many more are delivered in a devastatingly unpredictable fashion in Fran, which is in effec

(W/A/CA) Thomas Woodruff A stunning, head-turning, 'graphic opera' masterpiece from an acclaimed painter and illustrator. Francis Rothbart follows a feral child who is raised by magpies and other creatures and is repeatedly struck by lightning. Because of these phenomena, the child develops eccentric talents, which he then abuses, leading to his ultimate destruction by the same natural world that once nurtured him. Written mostly in rhymed verse, Francis's picaresque saga unfolds in an allegorical environment, much like the topographical constructions behind renaissance religious paintings. Referencing both the Venetian landscapes of Bellini, Pierro di Cosimo, and Carpaccio, mixed with the unlikely animated backdrops of Jay Ward and Chuck Jones, Woodruff's images recall the fictive gardens of a paradise lost that lingers somewhere deep in all our souls, moist and dark like the caves of the pious saints. Combining both paintings and drawings, each scene is a visual and verbal feast that transports us to a place in which trees anthropomorphize into figures bending from the weight of s

(W) Keith Mayerson, Chris Byrne An astonishing historical and artistic discovery: a 2300 page proto-graphic novel begun by a 'weekend cartoonist' in 1928 and continuing over the next 50 years! When Frank Johnson, an itinerant musician and shipping clerk, died in 1979, he left behind a startling discovery: more than 2,300 notebook pages of comics and 131 unbound drawings, among them a massive, continuous story line beginning in the earliest surviving notebook dated 1928 - before the existence of comic books! - and following the exploits of his own cast of characters across 50 years until Johnson passed away. During this lifelong project, Johnson invented in private many of the conventions and tropes that define comics storytelling, effectively enacting an alternative secret history of the comics medium. This debut publication of Johnson's work is the first of two 600+ page volumes that will collect the best 1200 pages of his comics, including Wally's Gang, his 50-year magnum opus chronicling the humorous, cliff-hanging adventures of a group of bachelor friends; The Bowser Boys, a s

(W/A) Various In editor Alexi Zeren's words, Freak Buck is a prison for the monsters we build every day, and the book covers are the cell walls. It features new and cutting-edge work from Marti (La Vibora, The Cabbie), Igor Hofbauer, Abraham Diaz, Gunnar Lundkvist, Josh Simmons, Josh Bayer, Alexis Rose, Jasper Jubenvill, Longmont Potion Castle, Emily V Brown, Dylan Languell, Heather Bryant, and many more. A beautifully designed, limited run, cutting-edge anthology that showcases both established indie artists and previously unpublished cartoonists.

(W/A/CA) Roger Langridge This nearly wordless romp from master cartoonist Roger Langridge is the author's paean to the silent, heartbreaking slapstick comedies or the teens and '20s, spun for a contemporary audience. Though Langridge has garnered considerable acclaim the past few years for his brilliant takes on The Muppet Show, Popeye, Betty Boop, and Marvel Monsters, he is at heart a cartooning auteur, earning multiple Eisner, Harvey, Reuben, and Ignatz Awards nominations.

(W/A/CA) Charles Burns Since 2000, cartoonist Charles Burns (Black Hole) has been self-publishing a secret sketchbook zine that he gives out to friends and VIPs. Burns has now compiled all twenty-five issues into a single volume for all of his fans to enjoy. Featuring finished drawings, rough sketches, process pieces, and more, the book is a window into the artist's id as well as a revealing behind-the-scenes look at how characters and motifs in works like Black Hole and Last Look have evolved.

Alex is an animator and he's angry. Stuck in a traffic jam on his way to his job at 'Mickey Walt' Studios, Alex rages, reminisces, fantasizes and hallucinates about his early days as a starry-eyed animator landing his dream job, through the increasingly depressing political battles and creative compromises. Loaded with insider information on two generations of animators, Freeway is another ambitious step forward for a major cartooning talent.

(W) Pier Dola SEX & DEATH are the primal subjects that Pier Dola explores with unrelenting tenacity in his incendiary debut graphic novel. A modern day Pilgrim's Progress as seen through the scatological lens of an unrestrained satirist working at full throttle, Pier Dola's From Granada to Cordova is a riotous, relentless, and terrifying attempt to grapple with the abyss. If this doesn't knock you squarely on your ass, we don't know what will.

In all the excitement over manga from Japan and bandes dessinées from France, it's easy to forget that most other countries have a thriving comics culture all their own. This eye-popping anthology, assembled by Danish publisher/editor/translator Steffen Maarup, introduces adventurous readers to 18 exciting talents, most of whom are taking their first bow on the English-speaking stage. One centerpiece of the book is Nikoline Werdelin's stunning 'Because I Love You So Much,' a Doonesbury-style slice-of-life Danish daily strip about a suburban Danish couple who discover their daughter is being molested - is it happening at her daycare center - horrifyingly, closer to home? Other major revelations include Julie Nord's elegantly drawn 'From Wonderland With Love' (which gives the collection its title), a modernistic riff on Alice in Wonderland, and Ib Kjeldsmark's 'Sloth,' a riotously punk-inflected day-glo duo-toned road trip. The book also spotlights the snarky and surreal single-panel work and gags by HuskMitNavn, Christoffer Zieler, and Johan F. Krarup; the visually explosive silent

(W) Liv Stromquist, Melissa Bowers (A/CA) Liv Stromquist In this graphic nonfiction book, Swedish cartoonist Liv Stromquist traces how different cultures and traditions have shaped women's health and beyond. Her ponytailed avatar guides the reader from the darkest chapters of history to the lightest. Like humorists Julie Doucet (Dirty Plotte), Alison Bechdel (Dykes to Watch Out For), and Kate Beaton (Hark! A Vagrant), she uses the comics medium to reveal how far we haven't come.

(W/A/CA) Tommi Musturi Tommi Musturi?s Future traps the reader into a web of stories happening in different time spaces, providing perspectives on the possible futures of mankind through imaginary future worlds, current events, historical references, utopias, and ideals. Future is a mash-up of the familiar and the terribly alien: quotidian existence, sci-fi spectacle, utopian fantasy, AI dystopia, and other worst-case scenarios. Richly philosophical and allegorical, Musturi chronicles alcoholic magicians, guerrilla art squads, mutant reality television hosts, and incel archaeologist-astronauts, among many others.?Weaving between a variety of styles in illustration and narration that transform and reflect our constantly changing reality, Future is an impassioned graphic novel for our times that renews the medium of comics ? a vital and multifaceted work of art. Known as a stylistic chameleon who often deals with existential themes that twirl around the ideal of ?freedom,? Musturi has crafted his masterpiece, an attention-grabbing, bravura showcase of a rich visual imagination with a

(W/A/CA) Ted Stearn Pluck, an irritable rooster, and his best pal, the teddy bear known as Fuzz, struck up a friendship in a garbage truck, sending them on a series adventures. But now, we find them slowly drifting out to sea. How did they get there? How will they escape? Stearn's work is rich with pathos, wit, farce and drama. Sometimes cruel but always funny, like a Winnie the Pooh for adults. As Simpsons creator Matt Groening says, 'This epic tale of a hapless li'l bear and his defeathered friend is why I love comics. All hail the peculiar Fuzz and Pluck and their creator, Ted Stearn!'

(W/A/CA) Charles Rodrigues Culled from the pages of National Lampoon, this is Fantagraphics second collection of the work of Charles Rodrigues, one of the most audacious, taboo-busting cartoonists who ever lived. There is no example of human suffering, tragedy, or absurdity that is off limits. The cartoons are hilarious and yet without a drop of rancor, even the chapter titled 'Good Ways to Kill a Rock Performer.' This is a welcome re-examination of one of the great, under-appreciated and quintessentially American cartoonists.

Gahan Wilson Sunday Comics collects, for the first time, each and every one of Wilson's little-known syndicated strips that appeared in America's newspapers between 1974 and 1976. Featuring his usual cast of freaks, geeks, and weirdoes, Wilson deftly exploits the minimalist Sunday strip form to skewer the everyday horrors of being human.

(W) Lorenzo Mattotti (A/CA) Jerry Kramsky This long-awaited second collaboration between Italian artists Lorenzo Mattotti and Jerry Kramsky is masterfully drawn in psychedelic black and white. Ten years in the making, its characters evoke Tove Jansson's moomins and its settings the dreamscapes of Moebius and Hayao Miyazaki. Garlandia is a major work by a master cartoonist, an enchanting graphic poem of mythic scope and surprising political relevance.

(W/A/CA) George Herriman In this volume: What profound insights can Krazy glean from an art exhibit of the old masters? What happens when Krazy applies for a job as a debt collector and discovers the biggest debtor is Ignatz? What’s with all the balloons? And volcanos? Why is a giraffe wandering lost in the desert? Where will the unending travels of Mr. Bum Bill Bee take him? These are just some of the questions that are beside the point in this collection of the hauntingly surreal, yet amazingly tender/violent adventures of Krazy Kat, Ignatz, and Offisa Pup.With incisive essays by Herriman scholars, and reproductions of rare Herriman ephemera, this entry in our ongoing series makes it plain to Herriman fans and newcomers alike why historians, scholars, and cartoonists consider this to be the best comic strip ever created and why The Comics Journal proclaimed it to be “the greatest comic strip of the 20th Century.”

(W/A/CA) George Herriman This new collection of George Herriman's masterpiece Krazy Kat brings back into print the inventive language, haunting vistas, and brick throwing that makes this strip so special. Perfect for Krazy Kat veterans or brand-new readers, this collection provides you with the joy of joining the inhabitants of surreal Coconino County in the strip that originally elevated the comics medium into a celebrated art form.

(W/A/CA) George Herriman Meticulously and lovingly restored, this exquisite, generously sized volume collects the acclaimed and groundbreaking Krazy Kat Sunday strips of 1925, 1926, and 1927. This Eisner Award-nominated series showcases one of the most renowned and celebrated comic strips in the art form's history as it strides boldly through the mid-1920s, its quirky characters in full flower in this gorgeous, archival hardcover collection. In this volume: Ignatz repeatedly sets elaborate traps for Krazy (long before the Road Runner), adventures on the 'enchanted mesa,' wacky weather, literal cliffhangers - and what happens when Santa and the stork arrive at the same chimney at the same moment? BONUS: The most complete collection of Herriman's long-lost Book of Magic pages ever assembled. With incisive essays by Herriman scholars, this entry in our ongoing series makes it plain to Herriman fans and newcomers alike why historians, scholars, and cartoonists consider this to be the best comic strip ever created and why The Comics Journal proclaimed it to be 'the greatest comic strip o

This critically-praised original graphic novel inspired the cult-hit movie, which depicts the lives of two angst-ridden girls on the cusp of adulthood, unsure of their next steps.

(W/A/CA) Rayco Pulido Set in 1940's Barcelona, Ghostwriter is a riveting detective story about a young housewife who turns to an unconventional private eye to help find her missing husband. But it soon becomes apparent that there may be more to this unassuming housewife than meets the eye. Masterfully paced and filled with pitch-black humor, Ghostwriter takes the reader on a wild ride full of twists and turns right through to its thrilling - and shocking - conclusion.

(W/A/CA) Maurice Tillieux Ten Thousand Years in Hell marks a sharp departure from the moody, urban detective style of Fantagraphics's previous Gil Jordan graphic novel by Tillieux, Murder By High Tide. Instead, the title story is a rollicking prison-escape yarn set in South America. The second story, 'Boom and Bust,' features one of Tillieux's patented spectacular car crashes. Tillieux's masterful graphics remind the reader why he was considered one of the top Franco-Belgian cartoonists of his time and, indeed, of any time.

Bruce Paley turned 18 in 1967 during the Summer of Love, putting him on the front lines of the late-1960s youth movement. Paley's tumultuous journey took him from being a Jack Kerouac-loving hippie in the 1960s, on the road with his 17-year-old girlfriend, dropping acid at Disneyland, living in a car, and crashing with armed Black Panthers at the infamous 1968 Democratic National Convention, to hanging out at Max's Kansas City, shooting heroin and cocaine with the likes of rock star Johnny Thunders, and frequenting Times Square's seedy brothels - a journey that mirrored the changing times as the optimism of the '60s gave way to the nihilism of the punk years. Over a dozen years, Bruce crossed paths with hippies, violent cops, rednecks, rock stars, and Black Panthers...and ended up a heroin addict for much of the 1970s. These stories are vividly brought to life in Giraffes in My Hair (A Rock 'N' Roll Life) by the compelling visual storytelling of Bruce's partner, the cartoonist Carol Swain. Swain's trademark visual approach to comics, typified by exquisitely composed panels that vivid

by Jaime Hernandez The 25th anniversary Love and Rockets celebration continues with these first two volumes collecting the adventures of the spunky Maggie, her annoying best friend and sometime lover Hopey, and their circle of friends, including their bombshell friend Penny Century, Maggie's weirdo mentor Izzy - as well as the wrestler Rena Titanon and Maggie's handsome love interest, Rand Race. Also included is a whole cycle of wrestling stories starring or co-starring Rena Tinanon, whose return was memorably chronicled in the New York Times serial, 'La Maggie La Locas.'

(W) Gilbert Shelton, Ted Richards, Gary 50 years ago Gilbert Shelton (ZAP Comix, The Fabulous Furry Freak Brothers) and Ted Richards (Air Pirates, The Forty Year Old Hippie) combined their talents to create a more-or-less accurate summary of the founding of the United States of America as it was never taught in school!?Give Me Liberty??was originally serialized in alternative newspapers through 1975-76 and now Fantagraphics Underground brings this lost classic back to print.

(W/A/CA) Guy Colwell Go Figure collects 44 “social surrealist” figurative paintings, spanning 1987–2023. All are in eye-popping color: many depict a crowd in observational tableaux, each figure a character by virtue of dress, body language, and interactions with each other, animals, and their setting. Other paintings reflect Colwell’s wide travels, and still others are surreal — such as “Junior and the Legs” (2023), which shows a young man strumming a guitar on stage, accompanied by disembodied women’s limbs. Each image has a narrative and a moral purpose—often, one figure bravely moves forward, despite a hostile crowd. In Guy Colwell’s world, no individual could ever be an island, just another part of a rich ecosystem.Thematically, then, it is fitting that this book was made possible by a group of his collectors, who are sponsoring the show/Guy Colwell retrospective “Imaginary Reality,” from which this book is created, in an independent space. Go Figure is in an 11” X 11” format, to best feature the high-quality reproductions of these numerous critically praised works.

(W) Moa Romanova, Melissa Bowers (A/CA) Moa Romanova When young, broke and depressed Moa matches with a 53 year old celebrity on Tinder, he immediately gives her the validation, and motivation she is seeking, even encouraging her artistic ambition by offering financial support. However, Moa soon discovers that her would-be savior is not motivated by philanthropy, as the relationship grows more troubling. Romanova delivers a thought provoking, funny, and highly relatable autobiography, announcing Romanova as a powerful new voice in contemporary graphic novels.

(W/A/CA) Ho Che Anderson A sprawling contemporary saga with a science-fiction edge, Godhead explores the collision course between science and religion when a corporation creates a device that can talk to God. Is this humanity's salvation or the equivalent of a Doomsday machine? Godhead is Ho Che Anderson's most conceptually and thematically ambitious graphic novel to date, his first in over ten years.

(W/A/CA) Ho Che Anderson The gritty, action-packed resolution to the futuristic corporate thriller. In this second and concluding volume of Ho Che Anderson's gritty, futuristic thriller series, Godhead 2 picks up from where part one left off with Racer Calhoun and the rest of Cadre Zeus finally learning why they've been assembled: to destroy Oceanus, the scientific facility traveling through the Pacific housing the God machine. They undertake what they hope will be a routine intelligence gathering mission on Oceanus which quickly turns into a desperate fight for survival through the city from which Racer had fled, and leads to a reunion with Carys, the great love of his life. Finally, the cadre are ready to confront Oceanus and put an end to the God machine once and for all. The story's finale upends the usual narrative expectations and concludes with a somber private epiphany that results in the triumph of human reason over a technocratic/supernatural savior. Part Boy's Own adventure genre, part men-on-a-mission yarn, and part thrilling showcase for badass women kicking ass and tak

(W/A/CA) Jordan Crane For almost three decades, master cartoonist Jordan Crane has put together a body of short stories that garnered him multiple Eisner and Ignatz Award nominations, via the pages of his comic book series Uptight and the influential comics anthology, Non. Yet they have never been collected until now. Featuring over a dozen short stories (spanning multiple genres) published over the past 25 years, Goes Like This is a gorgeously packaged anthology (including varying paper stocks and exposed spine) of Crane's work. “The Hand of Gold” is a short but grim Weird Western, a morality play in which an accidental crime leads a criminal to a supernatural maximum security cell. “Below the Shade of Night presents an anxiety that is rooted in the follies and ignorance of childhood, adolescence and young adulthood. “Vicissitude” maps uncharted territory of graphic melancholia via a tale of infidelity. “Trash Night depicts the troubled relationship of Dee and Leo, with mounting tension and mistrust that reaches a boiling point. In “The Dark Nothing,” a rare foray into science fict

(W/A/CA) Mikael Ross Ludwig van Beethoven created music that moves and inspires us to this day; his very name sparks a melody in the ear. But are you born a genius? This graphic biography asks: 'Who was Beethoven before he became 'Beethoven'?' Master cartoonist Mikael Ross (The Thud) tells the story of Beethoven from 1778 to his first major public appearance in Vienna in 1795. It begins when the family is living a difficult life in Bonn. Father Johann battles with alcoholism and is deep in debt. Only young Ludwig and his talent at the piano offer any hope for the future - if only he would stop composing his own pieces and just play what's expected of him. Author Ross was asked to do a small comic for the Beethoven Society. Through this opportunity, he discovered the diaries of the baker's son that lived downstairs from Beethoven's family, the content of which inspired Golden Boy. As in his previous book, The Thud, Ross skillfully mixes humor with empathy and pure social drama, crafting a coming-of-age story that transcends its biographical subject matter. His colorful, expressive st

(W/A/CA) Jason Three interconnecting short stories starring Ernest Hemingway comprise the latest graphic novel by the beloved Norwegian cartoonist Jason. Ernest Hemingway stars in three interconnecting short stories in this graphic novel. Paris, 1925. Our story begins when Hemingway meets Athos, the last Musketeer, who, together with several more friends of Hemingway, travel to Spain's Pamplona for the fiesta. Festivities and complications ensue. Paris, 1944. The second story starts the day after the liberation of Paris when Hemingway, now a war correspondent, decides enough is enough, and takes action to end the war for good. With a group of adventurers and resistance fights, he parachutes into Germany to do just that. Cuba, late 1950s. Our literary lion is in his twilight years, writing his memoirs, remembering his first and second meeting with the seemingly immortal Athos. Mixing fact and fiction, Jason has imaginatively recreated one of America's greatest and most controversial writers of the 20th century. Jason hails from Oslo, Norway, but currently resides in Montpellier, Fra

A comprehensive look at the colorful language of pop lyrics and rock music in general. This is a book of discernment and wit that evaluates the nature of pop songs, both the sublime and the ridiculous, and explores why one song over another has an effect on the listener.

(W/A) Jerome Mulot & Various In this graphic novel, two women art thieves bring in a third wheel for their biggest caper yet. Alex and Carole, friends since childhood, are now (literal) partners in crime. But the heist - to steal the Ingres painting The Grande Odalisque from the Louvre in Paris - is too much for the duo to handle, so they bring in Clarence, a bureaucrat's son with a price on his head by a Mexican drug cartel and, more importantly, an arms dealer. Next is Sam, a stunt motorcyclist and boxer by trade, who proves trigger happy with tranquilizer darts. Using soda can smoke bombs, rocket launchers, and hang gliders, Alex, Carole, and Sam set off a set of circumstances that results in a battle with the French Special Forces - and their partnership, which was on the rocks, will never be the same again. Ruppert and Mulot, two of the most innovative comic creators in the world, team up with multiple Angouleme prize winner Bastien Vives to bring you this impossibly funny, violent, and sexy action-packed thriller.

(W) Pat Thomas (A/CA) Ginny Winn Early 1970s, Ginny Winn was staff photographer for Warner/Reprise Records when its roster included John Cale, Grateful Dead, Van Morrison, Maria Muldaur, Jimmy Webb, Incredible String Band, Kate & Anna McGarrigle, Emmylou Harris, Gram Parsons, Captain Beefheart, Alice Cooper, Frank Zappa, Bonnie Raitt, Tim Buckley, Arlo Guthrie, Jackie DeShannon. Led by Mo Ostin & Joe Smith, the label?s catalog was a blend of counterculture icons and Americana.By the late 70s, Ginny moved into Hollywood imagery, capturing Carly Simon, James Taylor, Joni Mitchell, Roz Kelly, Penelope Spheeris, Jodie Foster, Gloria Swanson. Ginny also photographed Bob Marley, Al Green, Maxayn Lewis, Donna Summer, and Alice Coltrane. All photos are previously unpublished.