(W/A/CA) Guy Delisle In the middle of the night in 1997, Doctors Without Borders administrator Christophe Andr? was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, Andr? was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Award-winning cartoonist Guy Delisle recounts Andr?'s harrowing experience in Hostage, a book that attests to the power of one man's determination in the face of a hopeless situation. Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free.

(W/A/CA) Ebony Flowers Hot Comb offers a poignant glimpse into Black women's lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story is about a young girl's first perm-a doomed ploy to look cool and to stop seeming 'too white' in the all-black neighborhood her family has just moved to. Realizations about race, class, and the imperfections of identity swirl through Flowers' stories, which are by turns sweet, insightful, and heartbreaking.

(W/A/CA) Lisa Hanawalt Hot Dog Taste Test serves up Lisa Hanawalt's devastatingly funny comics, saliva-stimulating art, and deliciously screwball lists as she skewers the pomposities of foodie subculture. From the James Beard Award-winning cartoonist and production designer/producer of Bojack Horseman, Hot Dog Taste Test dishes out five-star laughs as Hanawalt keenly muses on pop culture, relationships, and the animal in all of us.

(W/A/CA) Sarah Glidden Sarah Glidden is a progressive Jewish American twenty-something who is both vocal and critical of Israeli politics in the Holy Land. When a debate with her mother prods her to sign up for a Birthright Israel tour, she expects to find objective facts to support her strong opinions. With straightforward sincerity, lovingly observed anecdotes, and a generous dose of self-deprecating humor, Glidden's perspective is distinctive yet accessible. Over the course of this touching memoir, Glidden comes to terms with the idea that there are no easy answers to the world's problems, and that is okay.

(W/A/CA) Leslie Stein I Know You Rider is Leslie Stein's rumination on the many complex questions surrounding the decision to reproduce. Opening in an abortion clinic, the book accompanies Stein through a year of her life, steeped in emotions she was not quite expecting while also looking far beyond her own experiences. Instead of focusing on trauma, this is a story about unpredictability, change, and adaptability, adding a much-needed new perspective to a topic often avoided or discussed through a black-and-white lens.

In one of the best graphic novels published in recent years, Chester Brown tells the story of his alienated youth in an almost detached, understated manner, giving the book an eerie, dream-like quality. For the new definitive softcover edition Brown has designed new layouts for the entire book, using 'white' panel backgrounds instead of the black pages of the first edition.

(W/A/CA) Elise Gravel Elise Gravel offers readers a sneak peek into her outrageously amusing sketchbook, where colorful monsters, imaginary friends, a grumpy things reign supreme. Meet Donald, who sings off-key; Francine, who likes to eat stones; and Marvin, the man with lots of stuff in his beard. Mixing the real with the fantastical, Elise's drawings exude curiosity, as microbes and mushrooms share the page with speckled pepperpops, gloppers, and floofs. Stop worrying about what makes a drawing good or bad - Elise draws anything and everything and you can too!

(W/A/CA) Luke Ramsey Delicate, complex drawings tell of a science-fiction world. Intelligent Sentient? feels like an artifact from another time; a lost feature in OMNI magazine, the album booklet for a late 1970s Hawkwind record, or perhaps a print version of Koyaanisqatsi. Beautiful, detailed, filigreed drawings fold in on themselves and blossom out at the reader. A loose story is told, one of a society of giant people, strange art, and inexplicable scientific experiments utilizing nonexistent technology. Factories and treehouses teem with life, and the city nestles up against a landscape filled with dinosaurs, apes, and dragonflies living peacefully side by side. Intelligent Sentient? is a series of images that tie together in progressing theme, the takeaway is that everything is connected. This book is meant to be read forward and back and returned to and treated like a mystical text.

(W) Philippe Dupuy (A/CA) Charles Berberian Since the character of Monsieur Jean first walked onto the page in 1998, he has endeared himself to readers, maturing with each frantic, surreal, heart-warming episode. Beginning as a young Parisian bachelor, defeatist writer, and urban bon vivant, Jean has reluctantly transitioned into a family man of forty, learning how to live with, and ultimately love those around him unconditionally. Constantly surrounded by a group of childhood classmates, an unbearably idealistic live-in friend Felix and his adopted son, Eugene, as well as his sweet daughter Julie, Jean questions life and those of others in an honest and endearing way; his unmistakable joie de vivre always undermined by a palpable sense of cynicism. The joy of these award-winning cartoons stems from that fact that Jean's weaknesses are our own; his doubts about life, universal; his relentless quest for happiness understood.

In his first graphic novel, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's 'hoax.'

(W/A/CA) Lynda Barry The Mullen family dynamics are in flux. Uncle John makes a brief return to town to the delight of the girls. Freddy is finally reunited with his sisters. Marlys falls in love for the first time. And after they finally settle into a routine at their grandmother's, the Mullen siblings' find out that their mother might be ready to take them back in. With war in the background and precarious parental support, the siblings long for peace. Narrated by Maybonne, Marlys, and Freddy, It's So Magic captures Lynda Barry's unparalleled ability to depict the magic of youth experiencing firsts in a world that contains as much humor as it does hardship.

Jamilti and Other Stories is the eagerly-anticipated follow-up to Exit Wounds, and it collects Israeli cartoonist Rutu Modan's short works, written and drawn over the past 5 years, that lead the reader through unexpected turns of plot and unusual character portraits. Some are darkly fantastical and unsettling, such as the unraveling of a serial-killer murder mystery, or her accounts of an infatuated plastic surgeon and his sanitarium. Others are more attuned to the surprising discoveries that shape personal identity, as in the story of a tragic past that lies within a family's theme hotel, or that of a struggling musician who hopes an upcoming gig will be his big break. In 'Jamilti,' Modan addresses political violence with a suicide bombing that shakes up a day in the lives of a young couple.

Jinchalo is Korean for 'Really?' and that question is at the heart of this book. A companion to Ojingogo, Jinchalo stars the same little girl as its heroine. When the mischevious shapeshifter Jinchalo hatches from a mysterious egg, he starts our heroine adventuring anew. Magical troubles drag the pair out of the safety of her home. These comics are firmly rooted in Korean folktakes and stylistic conventions, with a playful, joyous line to create a Miyazaki-tinged dreamscape where spotted octopi fly and bears give piggyback rides.

John Stanley Continuing Drawn & Quarterly's John Stanley archival series, Melvin Monster Volume 2 is about the oddball monster boy who just wants to be good, go to school, and do as he is told. A satirical and funny sendup of the monster craze of the 1960s, Melvin Monster is a classic kids comic of the Silver Age. Designed by Seth.

The second volume of Nancy in D+Q's John Stanley Library, elegantly designed by Seth, stars the beloved Brillo-headed Nancy in her own comic book series written by the greatest children's comics writer of all time, John Stanley. Stanley, the author of Melvin Monster and Little Lulu, puts his own deft sense of humor and superior cartooning on the Ernie Bushmiller creation with spooky Oona Goosepimple, Spike, and Mr.McOnion. Nancy, along with her sidekick, Sluggo, will charm readers young and old with her hilarious, scheming hijinks.

In the third volume in the Nancy series drawn by journeyman writer John Stanley, he continues to put his strange but fascinating stamp on the iconic character. Nancy declares poverty and battles yoyos on Oona's house, but the book also features her pal Sluggo, who Nancy complains is too dirty.

Thirteen Going on Eighteen collects one of the seminal 'teen' comics of the 1960s. Each comic is a darkly hilarious look at the social maneuverings and betrayals of the teen set. John Stanley's stripped down approach perfectly captures the fever pitch of the time. He creates what would otherwise be a teenage sitcom and turns it into an anguished character study.

Meet Tubby Tomkins, a mischievous gourmand, rabble rouser and schemer who, along with neighborhood buddies The Fellers, is continually at odds with the belligerent and thwarting West Side Boys headed by Wilbur Van Snobbe, the rich trickster who always gets the girl Tubby likes, Gloria Darling. From clubhouse standoffs to pogo stick time machines, the day is rarely long enough for the hilarious escapades and witty shenanigans that divert and preoccupy the epicurean Tubby and his pals.

(D)esigned by Seth The ghoulish capers of everyone's favorite monster continue with the third volume of the acclaimed series! Melvin lands his first babysitting job, only to discover he has his hands full, literally - the 'baby ' in this case is a giant monster, almost the size of a room! When Melvin meets his friend for a friendly game of marbles, an older monster-woman passing by is offended by the scene, as everybody in Monsterville knows that monsters should always fight when they 're together. Finally, she is content only after forcing the two monsters into a scrap. Melvin also attempts to be the first kid in Monsterville to attend school in more than six hundred years, but he is thwarted each time by Miss McGargoyle, his would-be teacher. He is threatened with boulders, giant boomerangs, and even long-range missiles, but nothing can stop Melvin from wanting to go to school every day. Melvin Monster illustrates just how timeless the comics of John Stanley are.

(W/A/CA) Keiler Roberts Keiler Roberts affirms her status as one of the best autobiographical cartoonists working today with The Joy of Quitting, a work encompassing 8 years of hilarious moments in the author's life, mined from the universal. It spans her frantic child-rearing, misfires in the workplace, and frustrating experiences with the medical system.

(W/A/CA) Camille Jourdy Juliette boards a train from Paris and comes back to her hometown hoping for a low-key visit with family and old friends. What she finds is anything but; her family is a mess and Juliette finds herself involved with the unlikely Georges, a dyspeptic alcoholic who is stuck in his life. These divergent paths inevitably cross one another against a gloriously painted backdrop of eccentric small-town living.

(W/A/CA) Adrian Tomine After enjoying over six months on the New York Times Bestseller list, acclaimed cartoonist Adrian Tomine's realist masterpiece is now available in paperback, with an updated cover and French flaps. With this work, Tomine reaffirms his place not only as one of the most significant creators of contemporary comics, but as one of the great voices of modern American literature. His gift for capturing emotion and intellect resonates: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century.

(W/A/CA) Travis Dandro From a child's-eye view, Travis Dandro recounts growing up with a drug-addicted birth father, alcoholic step-dad, and overwhelmed mother. As a kid, Dandro would temper the tension of his every day with flights of fancy, finding refuge in toys and animals and insects rather than the unpredictable adults around him. King of King Court is a revelatory autobiography that examines trauma, addiction, and familial relations in a unique and sensitive way.

(W/A/CA) Shigeru Mizuki The Birth of Kitaro collects seven of Shigeru Mizuki's early and beloved Kitaro stories, making them available for the first time in English, in a kid-friendly format and price point. With more than 150 pages of spooky and often funny all-ages comics about the titular yokai boy, The Birth of Kitaro is the perfect introduction to Mizuki's most popular series, which has won the hearts of Japanese children and adults for more than half a century!

(W/A/CA) Shigeru Mizuki Kitaro Meets Nurarihyon is the second volume in the adventures of Shigeru Mizuki's bizarre yokai boy Kitaro and his gaggle of otherworldly friends. These seven stories date from the golden age of Gegege no Kitaro, when Mizuki had perfected the balance of folklore, comedy, and horror that made Kitaro one of Japan's most beloved characters. In addition to more than 150 pages of Mizuki's all-ages monster fun, Kitaro Meets Nurarihyon includes bonus materials: 'Yokai Files' that introduce Japan's folklore monsters and a 'History of Kitaro' essay by translator Zack Davisson.

(W/A/CA) Shigeru Mizuki Kitaro the Vampire Slayer is the fifth volume in Shigeru Mizuki's bizarre stories about a yokai boy and his entourage of otherworldly friends. One of the most popular Kitaro tales, the title story pits Kitaro and his family against a Beatles-inspired mop-topped, guitar-playing vampire named Erit and his castle of horrors. In an unexpected twist - spoiler alert! - Kitaro meets his demise, but even death is hardly enough to keep our favorite yokai boy down. For fans of quirky horror, Kitaro the Vampire Slayer is not one to miss!

(W/A/CA) Shigeru Mizuki Featuring seven stories by Japan's beloved monster master Shigeru Mizuki, Kitaro's Yokai Battles features some of Kitaro's strangest foes yet-including his good pal Nezumi Otoko who decides that he should be the star of the comic! With friends like these… who needs enemies? Collected from the late-60s golden age of Gegege no Kitaro, these stories appear in English for the first time in a kid-friendly edition; uncut and unedited, with translations by Mizuki-scholar Zack Davisson.

(W/A/CA) Shigeru Mizuki In the final volume of Shigeru Mizuki's defining series, our beloved hero Kitaro stands accused of beating up his fellow yokai to protect the human populace. He is put on trial for crimes against Yokai. Witnesses are called from both sides, but when Nezumi Otoko takes the stand, all bets are off. Will Nezumi Otoko be for Kitaro or against him? Only the biggest bribe will tell!

(W/A/CA) Shigeru Mizuki Kitaro seems just like any other boy. Of course, he isn't-what with his one eye and jet-powered geta sandals, and the fact that he can shape-shift like a chameleon. It's all a part of being a 350-year-old yokai, a Japanese spirit monster. Against a backdrop of photorealistic landscapes, Kitaro and his otherworldly cartoon friends plunge into the depths of the Pacific Ocean and forge the oft-unseen wilds of Japan's countryside. The twelve stories in this special collection include more works published in the golden age of GeGeGe no Kitaro between 1967 and 1969.

The Klondike gold rush shook the Yukon on the eve of the twentieth century and stands today as the defining era in the taming of North America and especially Canada's Great North. The history of how a handful of colorful characters sparked the largest mobilization of gold seekers in history is brought vividly to life in this debut graphic novel by the cartoonist Zach Worton. His stunning depictions of the Canadian wilderness are as much a part of the action as the key players, from prospectors to the Royal Canadian Mounted Police.Worton draws the reader into an absorbing historical tale of political intrigue and personal adventure, played out amid the free-for-all atmosphere of the Wild West.

(W/A/CA) Mirion Malle The League of Super Feminists is an energetic, fierce, and disruptive comic wherein cartoonist Mirion Malle guides young readers through some of the central tenets of feminism. Issues of consent, intersectionality, privilege, inclusivity, body image, and gender identity are demystified in the form of a witty, down-to-earth dialogue. Malle's insightful and humorous comics effectively transport lofty concepts from the ivory tower to the eternally safer space of open discussion. The League of Super Feminists is an asset to the classroom, library, and household alike.

(W/A/CA) Michael Deforge Richard is a benevolent but tough leader who oversees everything that happens in the valley. When Lyle the Raccoon becomes sick, his ragtag group of friends take matters into their own hands, breaking Richard's strict rules. Caroline Frog rats them out to Richard and they are immediately exiled from the only world they've ever known. DeForge's tale expands from a bizarre hero's quest into something more: they make it out of the valley and into the big city, and we see them coming to terms with different kinds of community: noise-rockers, gentrification protesters, squatters, and more.

(W/A/CA) Philippe Girard Leonard Cohen opens in Los Angeles on the last night of the man's life in 2016. Alone in his final hours, the beloved writer and musician ponders his existence in a series of flashbacks that reveal the ups and downs of a storied career. Written with careful attention to detail and drawn with a palette of warm, lush colors by Quebec-based cartoonist Philippe Girard, Leonard Cohen is an engaging portrait of a cultural icon.

(W/A/CA) Weng Pixin Let's Not Talk Anymore weaves together five generations of women from Weng Pixin's family, each at age 15. Her lineage is full of breakages. She extends the line by envisioning a fictional future daughter, Rita, who questions her family's legacy. While spanning 100 years, Pixin moves back and forth in time seamlessly, as each woman experiences loneliness and kinship, hope and longing.

The world of Holocaust survivor and mother is turned upside down by the news that her adult son is moving to Berlin, a city Katin has villainized for the past forty years. As she struggles to accept her son's decision, she visits the city twice, first to see her son and then to attend a Museum gala featuring her own artwork. What she witnesses firsthand is a city coming to terms with its traumatic past, much as Katin herself is. Letting It Go is a deft and careful balance: wry, self-deprecating anecdotes counterpoint a serious account of the myriad ways trauma inflects daily existence, both for survivors and for their families.

The landmark 20th volume of the seminal comic book series! Jordan Wellington Lint, 51, is Chief Executive Officer of Lint Financial Products, a company he began serving in 1985 as assistant and advisor before working his way up its corporate ladder to record-setting innovation in the fields of finance and high-yield investment. In his seven years as the head of Lint, Jordan has grown the company from a business lender and real estate speculator to a leading provider of network financial infrastructure services, all the while positioning Lint as a model of corporate integrity and high-yield, low-risk product. Lint's vision has made him one of the most influential and widely sought-after leaders in the complex Omaha securities industry, and his fresh approach to an understanding of local problems, leadership and determination have enabled Lint to grow, outdistance and outpace its competitors. Lint graduated from UNL in 1981 with a BA in Business and briefly studied music and recording in Los Angeles before returning to his hometown of Omaha, Nebraska, where he has continued his life jo

(W/A/CA) John Stanley Lulu Moppet is an outspoken and brazen young girl who doesn't follow any rules-whether they've been set by her parents, the neighborhood boys, or society itself. 2019 D+Q begins a landmark reissue series of Lulu's suburban hijinks: she goes on picnics, babysits, and attempts to break into the boys' clubhouse again and again. Cartoonist John Stanley's expert timing and constant gags made these stories unbelievably enjoyable, ensuring that Marge's Little Lulu was a defining comic of the post-war period. Lulu's assertiveness, individuality, and creativity is empowering to witness; the series is powerfully feminist despite the decades in which the stories were created.

(W/A/CA) John Stanley Lulu Moppet is back with even more outlandish adventures and misadventures, as the cartoonist John Stanley settles into kooky and entertaining suburban storylines starring Lulu, Tubby, Alvin, and the rest of the gang. In Little Lulu: The Fuzzythingus Poopi, she outsmarts criminals who mistake her for a wealthy young girl, gets into high jinks during a day at the beach, and plays hooky-but only by accident! Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ages-even if she sometimes finds herself in hot water.