(W/A) Anders Nilsen Assembled from work done in Anders Nilsen's sketchbooks over the course of the year following the death of his fianc?e, Cheryl Weaver, in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation - a physical manifestation of grief. The End is a concept album in different styles, a meditation on paying attention, an abstracted autobiography and a metaphysical travelogue, reflecting the progress of his struggle to reconcile the great upheaval of a death, and to find a new life on the other side. The book blends Nilsen's disparate styles, from iconic simplicity to collaged art to finely rendered pieces. This new edition of The End is substantially expanded and revised - it is almost twice as long as the original edition - incorporating new work from the past 15 years that adds greater perspective to an already intimate window into the way we grieve, a process that can span decades. The new material includes added content from the original sketchbooks, over a dozen pages of new comics, a new afterword by the author, additional

Set in a version of modern Central Asia, Tongues is a retelling of the Greek myth of Prometheus. It follows the captive god's friendship with the eagle who carries out his daily sentence of torture and chronicles his pursuit of revenge on the god that has imprisoned him. Prometheus's story is entwined with that of an East African orphan on an errand of murder, and a young man with a teddy bear strapped to his back, wandering aimlessly into catastrophe (a character readers may recognize from Nilsen's Dogs and Water). The story is set against the backdrop of tensions between rival groups in an oil-rich wilderness. Tongues is both an adventure story and a meditation on human nature in our present fraught, historical moment.