This latest inexpensive and handy collection of Jaime Hernandez's early work picks up where 2010's Penny Century leaves off. Esperanza features an older, wiser Maggie, a maturing Hopey and introduces one of Jaime's greatest recent characters, Vivian the 'Frogmouth,' the near-psychotic bombshell.

(W/A/CA) Jaime Hernandez Angels and Magpies collects the Gods and Science: Return of the Ti-Girls and Love Bunglers storylines from the Love and Rockets: New Stories series, as well as Hernandez's 2006 New York Times serial. In the Ti-Girls segment, superheroics get a screwball spin and in 'Love Bunglers,' perhaps Hernandez's greatest masterpiece and one of the great graphic novels of all time, the past and present converge as Maggie and Ray's reunion is threatened by long-buried family secrets.

The Love and Rockets Companion contains interviews with Gilbert, Jaime and Mario Hernandez, foldout family trees for both Gilbert's Palomar and Jaime's Locas storylines, unpublished art, a character glossary, timelines and the most wide-ranging Hernandez Brothers bibliography ever compiled, including album and DVD covers, posters and more. A must-have for old fans and for those new to the series, it will make jumping in seem less daunting.

(W/A/CA) Gilbert Hernandez, Jaime Hernandez Both Gilbert and Jaime Hernandez developed their skills as artists in public, in the pages of Love and Rockets, and as quickly as any artists ever have. The first issue showed two promising young tyros; by the fourth, both brothers were clearly among the foremost cartoonists of their generation. But not all of that development took place on the main stage of their shared magazine. They built up to their 1981 self-published debut with years of experiments, fan art, zine illustrations, early short comics, and gig posters, and continued to work out in personal sketchbooks after establishing themselves as the preeminent cartoonists they became. Fantagraphics published two volumes of this nascent or private drawing in 1989 and 1992. Now, this deluxe hardcover collects the work from these two volumes with other rarely-seen artwork for a new generation of admirers. It's presented as a dual-sided flip book with one cover, and one half of the book, featuring Jaime's work and a second cover, and other half of the book, highlighting Gilbert's work. T

In this 30th Anniversary Issue, Jaime shifts focus onto 'Frogmouth' and her half sister Tonta whilst introducing some new characters. Gilbert takes one of his current characters into the Palomar milieu and brings back a number of the classic Palomar characters. This will be a much-anticipated homecoming for fans of the 'classic' Love and Rockets of the 1980s. Thirty years in, Love and Rockets continues to surprise and delight.

LUBA'S GENERATIONAL SAGA DEEPENS, PLUS A NEW STORY FEATURING JAIME'S 'TONTA' Love and Rockets enters its fourth decade with the latest installment of this acclaimed graphic novel-format iteration, featuring both old friends and new faces, and some genuine surprises... The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans - imitating the hammer-wielding Luba in her adopted Palomar. That's because Killer has discovered that her great-grandmother Maria (Luba's mother) starred in a late 1950s crime movie, and begins to delve into the details of her family's twisted history. Complicating things is the fact that Luba's half-sister Fritz played Maria in an amped-up biopic version of her life, creating a postmodern alternate version of the classic 'Poison River' which originally told Maria's story (in a tie-in release, see page 52 for the graphic novel version of this movie, Maria M. Part One)! In the other half of the book, Jaime continues to explore his intriguing new character Tonta: In 'Fuck Summer,' Tonta is talked into joining t

(W) Gilbert Hernandez, Jaime Hernandez (A) Jaime Hernandez, Gilbert Hernandez (CA) Gilbert Hernandez, Jaime Hernandez The seventh volume of Love and Rockets: New Storiesfinds Gilbert and Jaime Hernandez writing and drawing at the top of their game. In Jaime's stories, Maggie and Hopey take a road trip to visit a 'sick friend' while Ray visits some old sick friends of his own. Gilbert offers a suite of stories, including a sweeping epic of derring-do in which Fritz as Morgan Le Fey teams up with Aladdin; a WWII sci-fi thriller and 'Daughters and Mothers and Daughters,' in which flashbacks to Luba's mother Maria reveal how old secrets affect their family today.

The seventh volume of Love and Rockets: New Storiesfinds Gilbert and Jaime Hernandez writing and drawing at the top of their game. In Jaime's stories, Maggie and Hopey take a road trip to visit a 'sick friend' while Ray visits some old sick friends of his own. Gilbert offers a suite of stories, including a sweeping epic of derring-do in which Fritz as Morgan Le Fey teams up with Aladdin; a WWII sci-fi thriller and 'Daughters and Mothers and Daughters,' in which flashbacks to Luba's mother Maria reveal how old secrets affect their family today.

(W/A/CA) Gilbert Hernandez, Jaime Hernandez Jaime takes us to the punk reunion that Maggie & Hopey were road tripping to in the last issue where lots of old friends and enemies make appearances. Meanwhile, Gilbert serves up the second and concluding part of 'The Magic Voyage of Aladdin,' which establishes the rivalry of its two stars, Fritz and Mila. Who's Mila, you ask? You'll have to read Love and Rockets: New Stories No. 8 to find out!

Fantagraphics proudly presents 35 years of Love And Rockets covers collated in full-color, virtually all of them without logos or cover text for maximum visual impact so the viewer can better appreciate these iconic images created by Gilbert and Jaime Hernandez. With over 150 classic covers, this will be a gorgeous, oversized art book and the perfect gift for fans of the series that virtually defines alternative comics.

(W/A/CA) Jesse Reklaw Jammed with cartoons, mad schemes, psychedelic portraits, and notes from three months on the road, LOVF is both a travel journal and window into the post-traumatic dreamworld its author can't escape from. Getting beat up, running from the law, getting dragged out of a creek and into a mental hospital? it's a manic meltdown of cross-hatching, spattered marker, crayons, glitter, tape, nail polish, white-out, fingerpainting, rain, wine, stickers, and word balloons, like the found diary of a homeless crazyman, turned into a comic book.

Gilbert Hernandez's sprawling family saga moves to the United States, where Luba and her sisters Petra and Fritz, find their families' and friends' lives becoming more and more intertwined. As the three sisters reminisce, the next generation steps into spotlight: Luba's adult daughter Doral?s and Petra's little girl, Venus.

I was fifteen in 1942, and I was five foot three, which is the tallest I ever was. I had jet black hair and a smile as big as day.' Readers and moviegoers have read and seen many growing-up-in-the-big-city-then-being-drafted-into-World-War-II tales, both real and fictional, but none with the visual pizzazz and feisty humor of Lucky in Love. Co-created by George L. Chieffet (script) and veteran cartoonist and animator Stephen DeStefano (plot and art), Lucky in Love is almost the flipside to dramatic works on the same theme such as Alan's War and You'll Never Know. Elegantly drawn in a supremely confident, lively, cartoony black-and-white style that recalls Milt Gross as well as classic Disney animation and comics, Lucky in Love is a unique coming-of-age story that follows its lovable eponymous hero Lucky Testatuda from his rascally teen years in Hoboken, New Jersey's Little Italy to his induction into the air force and subsequent wartime experiences. Lucky in Love shows what happens when a feisty young man merges his erotic fantasies with 1940s film myths: Moving from the '40s to pres

(W) Lane Milburn In this SF graphic novel, a group of idealistic young artists from Earth are commissioned to collaborate on a corporate art project for a planet that has been colonized for luxury living. The world's elite use the ocean planet of Lure as a luxury vacation hub for a decade. But when climate change threatens Earth's long-term habitability, many of those who can afford it move to Lure for good. When the opportunity to work there for a year is offered to visual artist Jo Sparta, as part of a group of artists collaborating on a large-scale installation of public art, it seems like the chance of a lifetime. But then, Jo stumbles across a nefarious plot by her corporate benefactors and feels compelled to go public. Lure showcases Milburn's rich visual imagination, with the planet Lure itself an ever-seductive, otherworldly paradise against which he spotlights themes of climate change, the disparity of wealth, and the value of art - all in the service of a grippingly moral thriller.

(W) Liniers The second volume in Fantagraphics' English-language collection of the internationally beloved newspaper strip. Elves, witches, forest monsters, unicorns, children, talking cats and penguins? plus zombies with fitbits, Stephen King's Christine working as an Uber, and office politics? The bounds of a daily comic strip don't restrict Macanudo's imagination or subjects. With the range of The Far Side, the whimsy of Mutts, and the heart of Calvin & Hobbes, artist Liniers brings his distinctive illustrative line and sensitive watercolors to whatever crosses his mind on a given day. Readers of the previous volume will recognize some recurring characters and stock players, but each book stands alone, and every strip builds its own world. Whether commenting on pop culture, society, or the environment, or celebrating art, nature, or the act of reading, Liniers (Ricardo Siri) expresses his thoughts with joy and beauty. Most of them are funny, too. Beginning in 2002 in Buenos Aires, Macanudo steadily gained popularity around the world, and has been appearing in US newspapers since

(W/A/CA) Liniers Children reading to cats, penguins imagining the impossibility of alien life not including them, imaginary friends romping in the forest, horror-movie characters looking for friends, cartoons experiencing the awkwardness of zoom calls, witches frustrated over a Netflix lag on their crystal balls? Liniers mixes his repertory cast of fantasy and child characters with one-offs to express whatever happens to be on his mind that day. While the touches of real life are always intermixed among his whimsical world, the spirit of imagination and love of nature only becomes more heightened in many of these strips which run from early 2020 into 2021.Handsome, landscape-format hardcovers with debossed covers showcase Liniers? beautiful, full-color cartooning in the way it deserves. The influence of Krazy Kat and Mutts extends beyond the tone, charm, and humanity of the content to formal playfulness, and these books are the best way to appreciate the full range of the work.

(W/A/CA) Liniers Fantagraphics is proud to present Argentine cartoonist Liniers' internationally-acclaimed newspaper comic strip in an Englishlanguage collection for the first time. In the spirit of Calvin & Hobbes, Mutts, and Krazy Kat, Liniers (Ricardo Siri) uses a shifting cast of children, talking animals, imaginary monsters, sensitive robots, occasional elves, and anthropomorphized objects to perform gags, philosophize, muse on nature, and engage in surreal, artistic flights of fancy. With delicate, calligraphic pen work and understated watercolors, the comic skips lightly from style to style and subject to subject, as Liniers allows his imagination and observational humor free reign. Jokes about domestic life, imagined scenarios of historical figures, Cthulu showing up to Tinder dates, characters simply enjoying a pastoral sunset, the puncturing of pop-culture stalwarts: Macanudo is a boundless canvas for its author's humane and delightfully off-kilter view of the world, in a way few comic strips have ever even attempted. Beginning in 2002 in Buenos Aires, Macanudo steadily g

(W) Ivan Greenberg & Various The Machine Never Blinks is a comprehensive, eye-opening picture of the use of spying and surveillance in history and legend, from the story of the Trojan Horse through 9/11 and the so-called War on Terror, including the growth of government and corporate intercepts and databases, and even surveillance as entertainment (reality TV) and convenience (smart speakers). Take a look around...Who's watching you right now?

(W) Catherine Sauvat (A) Anne Simon A graphic biography of Leopold von Sacher-Masoch, the author whose name came to define the tendency to derive pleasure, especially sexual gratification, from one's own pain or humiliation. In 1870, Leopold von Sacher-Masoch published Venus in Furs, an erotic novel revealing the author's desire to be dominated by a woman. (And paid homage in the classic Velvet Underground song of the same name.) After the novel's success, a woman turns up at his doorstep and offers to take on the role in Sacher-Masoch's real life. He completely submits to her, and they get married. Years later, Leopold has remarried and lives a quiet life, far removed from the sexual escapades of his first marriage. Then he learns that his surname, to his detriment, has come to describe a new sexual perversion: masochism. Man In Furs is his story. This compelling graphic biography is a collaboration between the biographer Catherine Sauvat and the celebrated cartoonist Anne Simon. Simon's gentle cartooning perfectly complements Sauvat's empathetic script.

Michael Kupperman has already indulged his love for Mark Twain in the pages of Tales Designed to Thrizzle, but the recent publication of Twain's (real) autobiography inspired the cartoonist to a full-blown book-length masterpiece of hilarity. See how Twain hunted the Yeti, met the Six Million Dollar Man, had a love affair with Mamie Eisenhower, and accidentally became involved in X-rated films, all augmented with Kupperman's hilariously deadpan comics and illustrations.

(W) Mark Twain (A/CA) Seymour Chwast Written in 1910 in his 70th year, Mark Twain, having lived through 14 wars waged just by his own country on others, declined to publish this poetic despairing reproof against patriotism. His regular illustrator Daniel Beard even urged Twain to issue the piece, to which the author replied, No, I have told the whole truth in that, and only dead men can tell the truth in this world. It can be published after I am dead.It took 13 years after his passing for that prophecy to be fulfilled ? and now, another 102 years later, the legendary illustrator and graphic designer Seymour Chwast (himself 92 years young) has fulfilled Beard?s dream of enriching the fable with illustration.Chwast brings every aspect of his skills to this interpretation: drawing, design, typography, type design, pastel painting and computer color all sit alongside each other with Twain?s text in pages that expand and pace the original. With another century and a quarter of warfare passed since its writing, Chwast?s artwork echoes advances in technology but Twain?s message about the

Mascots is a collection of vignettes and brief impressionistic scenes that concentrate on moments, characters, settings and ideas. Many of these vignettes are independent; a cast of characters who wander throughout the book intrude upon others. Despite seemingly disparate parts, themes recur over and over in Mascots, and when taken together as a whole form a world that is strange, sad, funny and familiar. Formally, the book is made up of small, brightly colored drawings and paintings done on found book covers. Mascots is driven by lettering and type, part art and part comics. Mascots are exaggerated, ridiculous representatives, giving form to the abstract. They don't give this form in a subtle way; they're surreal magnifications, explosions of the thing they represent. The recurring characters in Mascots are like this, but so are the vignettes themselves. Each scene pushes past normal, exaggerating in order to highlight. In the world of Mascots, failure is everywhere. There is failure to connect, failure to communicate and failure to find meaning, but despite that, there are moments

(W) Drew Friedman Perverted, Insane, Degenerate, Brilliant. Artist Drew Friedman pays tribute to the great underground comix creators from Z (Zap) to A (Arcade). With the publication of R. Crumb's debut issue of Zap in 1968, the Underground Comix revolution exploded, creating a major paradigm shift and blowing the lid off the traditional comic book. Maverix & Lunatix features 101 full page portraits (and more) by a cartooning icon in his own right, Drew Friedman, spotlighting the essential artists, writers, and editors who defined one of the great art and countercultural movements of the 20th century. Featuring R. Crumb, Gilbert Shelton, S. Clay Wilson, Melinda Gebbie, Art Spiegelman, Vaughn Bode, Trina Robbins, Bill Griffith, Jay Lynch, Sharon Rudahl, Larry Gonick, Rick Veitch, Joyce Farmer, Justin Green, 'Grass' Green, George DiCaprio, Diane Noomin, Harvey Pekar, Robert Williams, Howard Cruse, Dan O'Neill, Spain Rodriguez, Shary Flenniken, Richard Corben, and so many others? all of whom helped to reinvent an entire artistic medium and became icons of underground comix. Featuring a

ATTENTION ALL MUTANTS! Your prayers have been answered! Come hither and witness the unholy union of professional sickos, Chris Kegel and Jim Blanchard!! Sit back and digest the obsessively detailed, psychedelically twisted, and elegantly repulsive comics that comprise the corpus known as MEAT WARP!

What at first glance reads like an episodic stoner comedy slowly reveals a chiseled character study of suburban ennui to rival the works of Solondz, Groening, or Flaubert. Hanselmann's characterization and visual creativity mines lifetimes of pathos from the slapstick simplicity of its psychedelic, absurdist premise. You will believe an Owl can cry. Collecting all of Hanselmann's classic Megg & Mogg webcomics plus over 70 pages of new material.

(W/A/CA) Simon Hanselmann The NYT Best-Selling comics series returns with depressed stoners Megg the Witch and Mogg the Cat in Amsterdam trying to repair their relationship: their friend Owl comes to rescue them. Megg the witch, Mogg the cat, their friend Owl, and Werewolf Jones struggle unsuccessfully with their depression, drug use, sexuality, poverty, lack of ambition, and their complex feelings about each other. It's a laff riot! Megg and Mogg decide to take a trip to Amsterdam for some quality couple time, although the trip gets off to a rocky start when they forget their antidepressants. They need Owl to come and help them save their relationship. But why does he have a suitcase full of glass dildos? And what will they do when they realize that the housesitting Werewolf Jones has turned their apartment into a 'f#@k zone'? Megg & Mogg in Amsterdam collects all of Simon Hanselmann's contributions to Vice.com, the Ignatz Award-nominated short story 'St. Owl's Bay,' and other surprises that will add additional color and background for fans of Megahex.

(W/A) Paco Roca Spain's answer to Seinfeld, these observational, relatable autobio vignettes by Spanish cartoonist Paco Roca poke fun at the vexing tribulations of modern life. At 40, cartoonist Paco Roca has finally achieved his childhood dream - to spend all day at home in his pajamas! However, his blissful, loungewear-clad reverie is beset with a host of mundane problems: He dreads small talk with 'the world's biggest bore,' but his excuses and white lies are finally catching up with him. When a good friend breaks up, taking either side could lead to social disaster. The simple mission to change his train ticket descends into an impossibly complicated, Kafka-esque affair. And worst of all, his partner keeps hanging the toilet paper roll the wrong way! In the vein of sitcoms like Seinfeld and Curb Your Enthusiasm, Roca's comic vignettes brilliantly satirize the pesky pitfalls of modern- day life. Like most of us, Roca's alter ego just wants to be liked and to do the right thing, but finds that through crippling indecision, cowardly behavior, and the absurd machinations of the univ

(W/A) Sergio Ponchione Poised between reality and fantasy, Memorabilia is acclaimed cartoonist Sergio Ponchione's wildly original homage to the legendary comic book creators who captured his imagination as a child. Weaving history, speculative fiction, and pure fantasy, Ponchione has crafted a visually stunning love letter befitting such towering comic book legends.

(W/A/CA) Tommi Parrish Tommi Parrish's sophomore graphic novel establishes them as one of the most exciting voices in contemporary literature. Eliza is a thirtysomething struggling single mother and poet. Sasha, a twentysomething yearning for direction in life, just moved back in with her parents and dabbles as a sex worker. The two strike up an unlikely friendship that, as it veers toward something more, becomes a deeply resonant exploration of how far people are willing to go to find intimacy in a society that is increasingly closed off. In Sasha and Eliza, Parrish has created two of the most fully realized characters in recent contemporary fiction. Parrish's gorgeously painted pages showcase a graceful understanding of body language and ear for dialogue, brilliantly using the medium of comics to depict the dissonance between the characters' interior and exterior experiences. Men I Trust is about not-always-healthy people attempting to make healthy connections in a disconnected world, and is one of the most moving and insightful works of literary fiction in any medium this year.

Out of the Shadows collects the very best of legendary Golden Age comics artist Mort Meskin's stories from the '30s, '40s, and '50s and features work in every genre Meskin worked in: super-hero, adventure, kid gangs, romance, crime, westerns, science fiction, and horror. Meskin set a new a high bar for comics in the first three decades of the medium, and this book will be a revelation to both the casual graphic novel reader and the ardent fan.

Miss Lasko-Gross's graphic-novel debut, Escape from 'Special,' was one of the nominations for YALSA's 2008 Great Graphic Novels list. Her semiautobiographical follow-up, A Mess of Everything, picks up where Escape left off: nonconformist Melissa is now in high school. But this time, the stakes are higher for the well-intentioned Melissa as she copes with an anxiety-induced drug habit and an anorexic best friend. Even when the situation is not life-and-death, Melissa must negotiate the everyday problems that face young adults, such as alienating her friends with her uncomfortable honesty and accidentally breaking her best guy friend's heart. Eventually, her troubles cause her to nearly flunk out of school, and she finds herself back in 'special' classes. By the end of the book, Melissa faces the choice that we all do at some point: whether to pursue her dreams or settle for a safer, more secure routine. As Melissa has grown, so has Miss Lasko-Gross' craftsmanship: A Mess of Everything retains the moodiness of Escape from 'Special,' but there's a new clarity to the art and characters'

(W) Antoine Cosse A society, greedily dependent on a mysterious natural resource, meets a force indifferent to social or class status in this graphic novel. In the dystopian city-state of Kronin, the chief engineer is in charge of all mining of Metax - a precious material that has become indispensable to survival because of its extraordinary qualities. Meanwhile, a police officer investigates the mysterious killing of royal horses, suspecting a terrorist insurrection. Sabrina, the engineer's daughter, is a member of this resistance group, which appears to be composed of children. Meanwhile, the King's hidden hand sets in motion a power play that will change the destiny of the kingdom forever, and all of these characters get caught up together in a whirlwind of violence and faith. This lusciously illustrated, science fiction fantasy by French cartoonist Antoine Coss? moves with the grace of a swan. Dark, romantic, and compassionate, it is an exploration of greed, its consequences, and the possibility of escape. (STL204504) (C: 0-1-1)

(W) Monte Schulz Metropolis, the sixth prose fiction novel by Monte Schulz, is a dystopian narrative of love in a time of war and moral disintegration. Regency College senior Julian Brehm's uneventful student life is derailed when he falls for Nina Rinaldi, a beautiful young revolutionary engaged in political activism against the authoritarian regime that rules the country and wages a deceitful, distracting war. Julian's love for - and moral alliance to - Nina eventually leads him into a vast undercity beneath the metropolis. Then, east by train and into the war zone itself, where mortal danger in that expanding cemetery of millions threatens Julian's life; what he witnesses will alter how he perceives the Republic and ultimately his fate within it. Julian's adventure can be seen as our own, a world of vacillating morality and unceasing violence. Apathy and passion. Fear and courage of purpose. Julian's is a hero's journey into the dark unknown. A love story, which extends in many directions. A war novel of incredible scope and horror. A suspenseful mystery novel with a moral puzzle

(W/A/CA) Wilfred Santiago A gripping, kinetic bio about the greatest basketball player of all time and most influential athlete in history, from the creator of the acclaimed and bestselling 21: The Story of Roberto Clemente. From Jordan's public successes to private struggles, Santiago's passion shines through on every full-color page. Everyone at a certain age wanted to be like Mike, and Santiago puts you on the parquet floor of Chicago's United Center in your very own pair of Air Jordans

(W/A/CA) Miguel Vila An aspiring yuppie romance is tested when a young couple cross paths with a very unlikely femme fatale in the form of an older single mother and ice cream server. With Marco and Stella's lukewarm romance already on the ropes, Daniele's insistent intrusions aren't helping. But when Marco meets Lulu, a single mother and unlikely femme fatale with a mysterious background, he develops an interest that soon veers into obsession and awakens in him a problematic and long dormant sexuality. With a voyeuristic gaze, Vila lays his characters bare, observing them in their hypocrisies, insecurities, and unmentionable desires. Vila's cartooning is alive. Working in a mostly naturalistic mode, he distorts his characters just enough to imbue them with a visceral charge that fuels the narrative's lust. A psychological and grotesque character drama that doubles as an erotic thriller about erotic obsession, mourning, a sense of inadequacy, and the search for surrogates of affection, Milky Way won prizes and garnered considerable acclaim upon release in Italy in 2022. Miguel V

(W/A/CA) Shungiku Uchida In this raunchy, moving, funny manga for adults, high school student Minami's girlfriend, Chiyomi, shrinks down to six inches tall - and moves in with him! Originally appearing in the underground/alternative manga magazine Garo in the 1980s and adapted for television several times, the Japanese pop culture sensation Minami's Lover is the story of two high schoolers' romantic relationship when one of them shrinks down to six inches tall.

(W/A/CA) Matt Furie From Matt Furie (Boy's Club) comes Mindviscosity, a collection of paintings depicting monsters, weirdos, beasts, and anthropomorphs all done in Furie's meticulous style of representational surrealism. Produced in the wake of his experience as the creator of Pepe the frog (whose appropriation by neo-Nazi's can be seen in the new feature film, Feels Good Man), his unsettling menagerie of creatures seem content to withhold their true intent despite the paintings' inviting colors and friendly cartoon iconography.

Mome (m?m), n. Archaic, a fool; blockhead. The influence of Fantagraphics' flagship quarterly anthology of new comic art and storytelling continues to grow. Celebrating it's fifth anniversary in 2010, the series has published over 2,000 pages of comics in its half-decade of existence, becoming a staple for those eager to discover what's new in the world of literary comics. Mome showcases the best new talent of this decade's ascendant cartoon generation, alongside work from some of North America and Europe's most respected creators.

Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, Mome heads into the sunset with an all-star, jam-packed farewell bonanza, including: Jim Woodring, Kurt Wolfgang, Paul Hornschemeier, Gabrielle Bell, Tim Hensley, Anders Nilsen, Zak Sally, Tom Kaczynski, Andrice Arp, Eleanor Davis, Joe Kimball, Laura Park, Nick Thorburn, Malachi Ward, Jesse Moynihan, Nick Drnaso, Chuck Forsam, Jon Vermilyea, DJ Bryant, Tim Lane, Josh Simmons, Sergio Ponchione, Sara Edward-Corbett, and many more!

(W/A/CA) Drew Friedman Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth through the artists and writers who fueled the industry's first few decades, all lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Each subject features a tribute essay by Friedman.