NOTE: Some copies of this title may have a blue cover instead of the green shade displayed in the thumbnail for this product. No additional discounts or refunds will be issued for this discrepancy. (W/A/CA) Edward Steed
The arrival of the greatest single panel cartoonist since Charles Addams One swing trapeze artist prepares to receive a newborn child from another all the while shrieking ?Support the head!? A hopeful, naked Adam reaches high for the largest leaf while a frustrated Eve hands him a smaller, more-appropriately sized leaf. A dejected squid stands in a doorway, shock and dismay on his face, as a ruined surprise party lies in wait before him?guests, presents, and birthday cake covered in a blast of ink in mid-?Sur?? as loose balloons butt against the ceiling. Once in generation, a distinctly new perspective emerges from the pages of The New Yorker. In our times, that perspective belongs to Ed Steed. Steeped in the classic formalist tradition of the single-panel gag, Steed possesses a shocking and macabre talent for drawings guaranteed to make even the most composed of cas
