(W) Daniel Keyes (A) Reed Crandall & Various (CA) Bud Parke
Contained here is the complete run of Confessions Illustrated, an innovative 'Picto-Fiction' magazine containing illustrated prose stories of scandal and forbidden romance, illustrated by industry legends: Wally Wood, Joe Orlando, Reed Crandell, and more! This archive volume contains Confessions Illustrated issues #1-#3. o Features stories created by celebrated comic artists Joe Orlando, Reed Crandall, Wally Wood, and more!
(W) Al Feldstein & Various (A) Reed Crandall & Various (CA) Joe Orlando
Contained here is the complete run of Crime Illustrated, an innovative 'Picto-Fiction' magazine containing illustrated prose stories of frightening crimes, daring heroes, and dangerous psychopaths, written and illustrated by Jack Oleck, Reed Crandall, Wally Wood, Joe Orlando, and more! This archive volume contains Crime Illustrated issues 1-3. Features the rare third issue, unpublished in its time.
(W) Al Feldstein (A) Reed Crandall & Various
Striking stories of crime and capers! Shocking pulp stories of Crime and Intrigue! This paperback volume collects classic tales from Crime SuspenStories issues #19-27, from the hands of legendary creators Al Feldstein, Harvey Kurtzman, Johnny Craig, Jack Davis, Joe Orlando, and more!
(W) Al Feldstein, Carl Wessler (A) Reed Crandall & Various
Dramatic tales of medicine and surgery, and of modern medicine's constant struggle against illness and injury. The doctor is the hero of these stories, where diseases can be just as deadly as a murderer. This hardcover volume collects the complete run of MD, recolored digitally using the original palette, featuring art by legendary comics talents Reed Crandall, Joe Orlando, Graham Ingels, and George Evans.
(W) Al Feldstein & Various (A/CA) Reed Crandall
Twenty-two crime, horror, and science fiction stories by master comics artist Reed Crandall. Plus: eight crime and horror stories by fellow EC artist George Roussos. Reed Crandall was an undisputed Master of fine line detail and expertly nuanced pen-and-ink texture. He was a perfect fit for EC Comics, and he brilliantly illuminated sharp scripts featuring schemes, tricks, betrayal, and retribution in the company's crime, horror, and science fiction titles. This volume features 22 Crandall favorites from the pages of Tales From the Crypt, Vault of Horror, Haunt of Fear, Crime SuspenStories, Shock SuspenStories, Weird Science-Fantasy, Extra, and Impact, including: 'Dog Food,' one of EC's best revenge stories, featuring a sadistic prison camp warden who abuses his dogs to keep them mean - to terrorize his prisoners. And no, it's not the twist ending you might expect - which is why it was voted by fans as one of the top three EC horror stories. 'The Shadow Knows' in which a man who murders his wife is pursued by her shadow everywhere he t
(A) Reed Crandall & Various
Synopsis: QUALITY COMICS - BLACK CONDOR - CRACK COMICS #12 - #21 April 1941 - February 1942 THE RAY - SMASH COMICS #23 - #30 June 1941 - January 1942 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. 'Busy' Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor. Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying 'strato-balloon' exploring the upper atmosphere. An electrical
(A) Reed Crandall & Various
Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. 'Busy' Arnold at Quality Comics, and in addition to his impressive covers, he worked on such comics as the Black Condor. Richard Grey Jr., having lost his parents, was raised by giant black condors and after studying his condor foster parents, he learned to fly. Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying 'strato-balloon' exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, 'Happy' got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose. Collects the Black Condor stories from Crack Comics #12-21 (April 1941-February 1942) and The Ray stories from Smash Comics #23-30 (June 194
(A) Reed Crandall & Various
Police Comics, published by Quality Comics beginning August 1941, was known for introducing several iconic characters who became staples of the Golden Age of Comics. The series combined superhero action, crime stories, and detective tales, reflecting the era's diverse storytelling styles. Some of the most notable characters that debuted in Police Comics include Plastic Man, Phantom Lady, Firebrand, and the Human Bomb. Collects issues 1-3.
